“The Sweat tour was some of the best weeks of my entire life. But over time, an isolation started to happen....It made me realize I wasn’t telling the whole story anymore.”
“What’s really great is when your fondest memories in a year of winning a championship are not holding the trophy, but realizing that the trophy was the team.”
“I wouldn’t be here without Rich Kids [of Beverly Hills] . You never bite the hand that feeds you, and Rich Kids was a jumping-off point.”
On hats: “We are dealing with something that has gone from being a symbol of conformity to a symbol of rebellion. The great misconception is that you need confidence to wear them. Actually, a beautiful hat gives you confidence.”
“I’m like a butterfly, or a bee that takes all these beautiful nectars. I have too many flowers in my garden that I like to go visit. I have too many things that I want to do.”
“At the very least, we should be teaching [AI] models to be good in the same way we teach people to be good. Skipping that step seems kind of crazy.”
“I’ve always been a polarizing figure. This self-exploration via characters that are worse versions of myself is a defense mechanism to get ahead of that.”
“I think it’s much better to—pardon my French—step in shit. That’s how you learn.”
“Romantic comedies don’t get the respect they deserve.”
On opening her gallery, Champ Lacombe, in Biarritz: “There is a spirituality that the Basque people have that’s in the air and keeps you grounded.”
“I’m most frightened of violence against consciousness. And, of course, that fascinates me also.”
“In the absence of the clothes being accessible, what is accessible is to have an opinion about them. That becomes its own sort of currency or status. ”
Source: ShowBiz
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